The camera movement is quiet constant and just follows the movement of Romeo and Juliet as they have their eyes fixed at each other. This gives a calm mood and atmosphere both in the film and for the audience watching.
Luhrmann is keen on emphasising their emotion and thoughts when Romeo and Juliet first meet. He is using slow cuts, again while they gaze at each other through the fish tank, to focus attention and give emphasis to their faces expressions when they see each other for the first time. The flamboyant props, such as the red, long curtains and the golden statues at the staircases, and the setting of a lavish mansion really add to the chaotic atmosphere.
Capulet is clothed as Caesar which underlines his power and wealth. Tybalt is dressed as a devil to show his evil and dark nature.
Lady Capulet is dressed as Cleopatra to show her beauty and also her seductive personality to lure men. After Romeo and Juliet get taken apart from their first meeting. Tybalt is quick to realise Romeo without his mask. Luhrmann uses many techniques to change of assert an atmosphere at any given point.
Baz Luhrmann uses a low angle shot when showing Capulet scolding Tybalt and having Capulet above the camera signifies he is an important and powerful person because it is as if the audience is looking up at someone superior.
Capulet being upstairs where there is no one could symbolise a higher place like heaven where powerful people watch you from there. Tybalt getting enraged over Romeo suggests that he is disrupting that solemnity and peace that you are meant to have in heaven.
In this particular moment Luhrmann uses both high and low angles to convey the different positions or statuses that Romeo and Juliet are in. Juliet is like the cursed beauty that has to marry someone who her parents want. Luhrmann uses medium shot eye-line matching while Romeo and Juliet have eventually found out who their real identities are and realise the reality dawning on them.
This is seen as the beginning and the end of the whole relationship. While Juliet is dancing with Paris after being taken away from Romeo by the nurse, she is constantly looking at Romeo and he is also admiring her. This is shown by the eye-line matching. This shows their love-stricken feelings and emphasises their love to the viewer. Luhrmann uses slow cuts and the camera movement is also slow.
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The film opens with a news anchorwoman reading the prologue from the play. It is read in one go and there is at this point nothing offered to the viewer to make it clearer. It is almost as though Luhrmann wants to set up a traditional presentation of the words so that when his vision appears it is even more explosive. It took over one hundred and seventy and over a week to create the opening fight scene which enjoyed a screen time of a mere five minutes.
The editor has the power to squeeze new meaning from individual moments through subtle changes in the arrangement of images and sounds.
Each shot is very different. The actors would recite their lines over and over again until the director chooses which frames he wants: Each frame can have a different meaning. A close up can be more dramatic than a wide shot; looking up at someone might be scarier than looking down on him or her.
The editor had the task of choosing the correct shots for. Some lines are more effective with pauses, some without. The pressure that the filmmakers came under to show that the bullets were hitting objects rather than people is interesting. It suggests that there was a strong desire to ensure that the movie was awarded the lowest age certificate possible.
If the film had received a fifteen certificate in the UK, young adolescent and pre-teen girls — one of the biggest constituents of the likely audience — would have been excluded.
Whilst making this film attention to detail was immensely important. This world was in the end constructed from a collage of modern and traditional images drawn from religion, theatre, folklore, technology and pop culture. The idea was to find icons that everybody comprehends. The Latino Capulets used guns covered in immense religious iconography while the Anglo Montagues carried much more slick, modern weapons. In this way, simple objects in the film can serve multiple functions.
The way in which the actors carried themselves and moved in the film was also worked on tirelessly. The actor playing Tybalt had Flamenco dancing lessons. He is stylised even in his posture and his movements embellish his character.
Everything the viewer sees, from the guns to the petrol signs, has close attention to detail to affect the way we interpret the film. The more consistent and detailed it is, the more believable it becomes to the audience. Subconsciously, the audience focuses on the detail of the film, which adds to our enjoyment of the movie.
Detail in the sound is just as crucial as detail of images to help our understanding of the plot. Film soundtracks are immensely complicated: Every layer of sound adds to the experience of watching the film. In Romeo and Juliet some scenes had over three hundred individual sounds all mixed together. This is the same for the movement of the jackets, footsteps, spurs on boots and stubbing out of cigars.
They are all completely over the top but give a semi humorous appeal, suit the images and enhance the flashy look of the film. In the credits at the end of them film over three hundred names are listed in the creation of the final product.
The auteur theory holds that certain directors make utterly distinctive films.
Baz Luhrmann brings a unique visual style to William Shakespeare's renaissance tragedy "Romeo and Juliet". Set in a modern Verona Beach, Luhrmann sets the assertive and trendy tone of his adaptation within a decaying Miami City.
”Romeo and Juliet” by Baz Luhrmann Essay Sample Shakespeare’s famous play Romeo and Juliet was first printed in and was performed, on stage, before Elizabethan audiences. While the speaking parts are faithful to the original.
Baz Luhrmann’s ‘Romeo and Juliet’ - Assignment Example On In Assignment Sample The story of Romeo and Juliet originated as a play, written by William Shakespeare in Elizabethan England. Baz Luhrman: Romeo and Juliet Transformation. Baz Luhrmann’s Romeo and Juliet Transformation A hugely successful transformation of the complex written version to the action packed film took place when accredited writer Baz Luhrmann redefined the classic tale of Shakespeare’s Romeo And Juliet.
The Effectiveness of Baz Luhrmann's Romeo and Juliet Essay examples. The Effectiveness of Baz Luhrmann's Romeo and Juliet Baz Lurhmann's modern version of Romeo and Juliet is very effective because it relates to a younger audience which makes it more appealing to watch. - Baz Luhrmann's Presentation of Romeo and Juliet to a Modern Audience In this essay, I will be comparing the way the years old William Shakespeare's film Romeo and Juliet was transformed by Baz luharmann for the understanding of the modern audience.